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Back in September, behind the scenes video of Rose posing for 1883 Magazine were released on social media and I ordered the issue in early November to share the full feature (photoshoot + interview) with you. A lot of content has been released since : a short film, a behind-the-scenes video, and 5 gorgeous pictures of Rose photographed by Eliška SKY Kyselková. I sadly haven’t received the issue yet but since it is already on stands in the UK, lovely people have sent photos of the magazine to me and I’m now able to share Rose’s full interview with you !

Real scans of the issue will be added in the gallery to replace the photos as soon as I can hold it in my hands, but meanwhile, I hope you’ll enjoy : )

Note : at the time of the interview, Death on the Nile was still planned to be released on December 18, 2020. It has since been announced that it will finally be released in theatres on September 17, 2021.

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Photoshoots > 1883 Magazine [+05]

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Photoshoots > Behind The Scenes > 1883 Magazine (Screen Captures) [+158]

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Photoshoots > Magazine Scans > November 2020 | 1883 Magazine [+07]

You can read Rose’s full interview just below :

1883 MAGAZINE — Best known for her curve bow carrying, screen-stealing turn as Ygritte, spearwife of the free folk in fantasy phenomenon, Game of Thrones, Scots-born Rose Leslie will next find herself in an altogether different ensemble cast, as Louise Bourget in the big-screen adaptation of Agatha Christie in « Death on the Nile ». Whilst detective novels and the « whodunnit » genre may be amongst Leslie’s favorite literature, flexing her French accent muscle and the chance to work alongside director Kenneth Branagh gave the much-loved classic new appeal. We caught up with Leslie to marvel at how far she’s traveled since her Honeymoon days, why she considers audiences never will tire of Agatha Christie, and how she loves nothing more than playing the outcast. 

You happen to be in director Leigh Janiak’s debut, teen horror film Honeymoon back in 2014 and I’ve actually had the pleasure of speaking with her… Although essentially a slasher film, the character and narrative elements were so strong that the horror just worked around it. In a way, there is that to these Agatha Christie adaptations… What attracted you to the role of Louise Bourget in Death on the Nile ?

Ah yes, Leigh, of course. She’s a superb writer/director. In a way, Honeymoon was a « whodunnit ». It was a joy; we were out in North Carolina filming for that. With Death on the Nile, my character Louise Bourget, is obviously French and when I was about ten years [old], my family decided to uproot from Scotland to France. So, I went to a bilingual school for about three years – and I think it was the allure of playing someone with a French accent. I love accents; it is something I am always drawn to. But obviously, also knowing that Kenneth Branagh was at the helm and hearing of his outstanding dedication on Murder on the Orient Express and knowing he totally gets this Agatha Christie world was so appealing. 

You’re a very good accent person…. Didn’t you play an American in Morgan ? 

Yes, you are right, Morgan ! 

You’ve worked across so many genres, but mainly on strong, long-form TV series, most notably on Game of Thrones, Downton Abbey, Luther and The Good Fight. Tell me about the challenges of going back to a film set for Death on the Nile ? In particular, one which revolves around such a strong ensemble cast ?

That was a pull. It’s so enjoyable to be part of an ensemble which has been the case in those past TV projects too. I would say certainly with TV projects and film, the real difference for me is the scale. It is just larger, and we concentrate the whole five months onto this one script, whereas the pace is a lot faster in television. It’s something I enjoyed going back to ; dedicating a day to two scenes rather than dedicating a day to seven. It’s definitely a different set-up.

Continue reading Rose Leslie for 1883 Magazine (RISQUÉ Issue)

A new interview of Rose has been released today with a lovely autumnal photoshoot, this time for « Alexa », a fashion-centric insert from The New York Post. She talks for the first time about her pregnancy and we learn more about her characters from Death on the Nile (Louise Bourget) and from her upcoming TV show Vigil (Kirsten). There are also some funny bits about lockdown and cutting Kit Harington’s hair (which didn’t go well) !

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Photoshoots > Alexa (The New York Post) [+06]

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Photoshoots > Behind The Scenes > 2020 | Alexa (The New York Post) – BTS [+02]

You can read Rose’s interview on The New York Post’s website here or just below :

THE NEW YORK POST — There’s a change in Rose Leslie lately. Her husband’s noticed it: “He said, ‘Something’s different,’ ” the Scottish actress says. “I was like, ‘Yeah, I’m wearing foundation!’ ”

She’s due back on a BBC set in Glasgow shortly after our interview, and can’t wait to be working again. “After these seven months, the idea of putting on makeup felt very strange,” says the actress, on Zoom from her home in London. “I’m excited to tackle the wardrobe again.”

Leslie, best known for her fur-clad “Game of Thrones” character Ygritte, looks right at home in the warm, sumptuous knits of her Alexa shoot. In her personal style, she keeps it simple. “Not many patterns, kind of a tailored cut, flattering for the figure,” she says. “I like to give it an edge, with either a chunky boot or some earrings, but otherwise, it’s relatively minimalist.”

Her tailoring may have to be altered in the coming months, as Leslie, 33, recently went public with the news that she and her husband, Kit Harington, are having a baby. “I am thrilled to be expecting, and I can’t wait to meet the new member of our family!” she tells us.

But first, she’s enjoying a return to quasi-normalcy, shooting the six-part crime thriller “Vigil,” which paused production in March and resumed in September. Even though it means COVID-19 testing every three days and a marked lack of hugs, she’s grateful to be back.

“Stepping into the hair-and-makeup trailer, and seeing those wonderful ladies in visors and masks and aprons, these dear friends — it felt strange not to go in for a hug,” she says. “I’m a very tactile person with my friends, but the elbow bump is going to have to be enough for now.”

Continue reading Rose Leslie for The New York Post’s « Alexa » (October 21, 2020)