The Good Fight > Screencaps: S01 E09 « Self Condemned » [+ 327]
The gallery has been updated with many additional outtakes from the photo session Rose did for W Magazine, enjoy :
Photoshoots > 2017 | W Magazine [+ 10]
CBS — The CBS All Access original series The Good Fight has officially been renewed for a second season, to air in early 2018.
« We’re only a few episodes into the first season and the reaction from CBS All Access subscribers and critics alike has been phenomenal, » said Marc DeBevoise, President and Chief Operating Officer, CBS Interactive. « This series and its characters are just beginning, and we can’t wait to see where Robert and Michelle King, their creative team, and the amazing cast take The Good Fight next. »
Currently in its first season, the spinoff to The Good Wife follows Diane Lockhart (Christine Baranski) as she and her protégée Maia Rindell (Rose Leslie) are caught in the crossfire of a financial crisis and forced out of Diane’s old firm. With nowhere else to go, they join Lucca Quinn (Cush Jumbo) and Adrian Boseman (Delroy Lindo) at Reddick, Boseman & Kolstad, where they must work their way back up to the top. (source)
TORONTO SUN — Rose Leslie was a mere wildling when she first became a fan of the American network drama The Good Wife – which recently spun off a sequel The Good Fight. The Scottish actress had begun working on her three seasons on Game of Thrones, playing Ygritte, the fire-haired wildling with a “thing” for Jon Snow. “Channel 4 in the U.K. carried The Good Wife. And I kind of picked it up with my friends in Season 4, and we watched it to the end,” says the actress, who co-stars with Christine Baranski in The Good Fight. “It was a complete escape for me,” she said in a phone interview on a break from filming in New York. “I was a fan, but I was completely oblivious that there was going to be a spinoff. So I was very ecstatic when I heard.”
One of those apparently magical U.K. actors, capable of adopting a convincing American accent at will, Leslie was cast as Maia Rindell, the daughter of a disgraced Bernie Madoff-type billionaire scam artist, whose budding law career is derailed by his downfall. Among his victims: Maia’s godmother Diane Lockhart (Baranski), the Chicago law firm partner from The Good Wife, whose retirement plans are similarly scuttled by her losses (and whose reputation is in tatters because she’d convinced so many friends to invest with Rindell).
So the world we knew from The Good Wife is upside down. The first episode opens with Diane turning off the inauguration of President Trump and pouring herself a giant glass of wine. And in a news report, we hear Maia’s father described as a, “financier for the liberal elite.” For starters, that was some pretty impressive reaction to actual events. Leslie read the original pilot script, “and it started with Diane Lockhart kind of looking around at a French villa she was living in. After the president’s win they did some quick surgery. I got a few chuckles when I saw it.”
As for the “liberal elite” line, “I guess that’s what he was,” she says of her TV dad (played by Paul Guilfoyle). I think (the producers) want to make sure their show is very relevant to the political climate. And we are dealing with a liberal bubble when we are talking about (Adrian) Boseman (Delroy Lindo), and the African-American law-firm that my character and Diane go to.” (At the end of the pilot, Maia and Diane are jokingly referred to as “diversity hires”). “They’re kind of signalling that there isn’t going to be just one line of political opinion in the series.”
There are other ways in which The Good Fight exists in a different world than The Good Wife. Maia is in a same-sex relationship with an assistant state attorney named Amy Breslin (Helene York). Candid scenes of them at home during the turmoil, include a scene of Amy consoling Maia in the shower. “I love that it’s so candid,” Leslie says. “I love the shower scene between two women; you can see how loving they are to each other, how comfortable they are in their own skin and their own sexuality. And I like the fact that the show doesn’t make a thing out of it. It is just a simple fact that these two women are in a relationship, they support one another.”
Despite being raised in a castle (her family’s 15th century ancestral seat in Aberdeenshire), Leslie needed some research in being truly “to the manor born.” She found it in the book The End of Normal: My Life as a Madoff, by Madoff’s widow Stephanie Madoff Mack. “That book was indeed a very small insight into understanding the harsh reality of a terrifying fall such as the one she and her family went through,” Leslie says. “The reality of my life is that was I was brought up in a very drafty house with holes in the roof,” she adds cheerfully. “So there’s nothing really very fairytale-esque about my upbringing. But I feel very fortunate.” (source)
Rose has been recently interviewed for ‘The Last Magazine’ and some new gorgeous pictures of her have been taken, be sure to check them all in the gallery and read the interview below :
Photoshoots > 2017 | The Last Magazine [+ 8]
THE LAST MAGAZINE — In the new CBS All Access show The Good Fight, viewers are introduced to Maia Rindell, a young woman who has just passed the bar exam and lands a job at a prestigious law firm. It’s new, exciting, and a little daunting for Maia, and that’s before her life is swiftly upended by a family scandal. Stepping into the role is Rose Leslie, who herself is exploring uncharted territory, albeit without the chaos Maia endures. Residing in America for the first time while taking on a lead role in a celebrated franchise has given her something to channel into the character, but it’s also given her the momentum to break out as a new star.
Though Leslie is originally from Scotland, she spent enough of her life away to replace her accent with an English one. “I lived in France for about three years from ten to thirteen, so I kind of lost any Scottish accent when I was living there—I had some weird hybrid of a French-English accent,” she says. “Then I went back to Southern England and it was over, I went into the English accent.”
Raised with four siblings, Leslie’s proclivity towards acting may have simply been an effect of being the middle child. “There’s no other member of my family who is in the creative industry, so to speak,” she says. “I’m in the middle, the only ginger, older brother and sister and younger brother and sister. I think I got the bug from not being listened to. I think the middle child syndrome stepped in relatively early and I think I realized I needed to branch out. My [older] brother is intelligent and my sister is very sporty and intelligent, and I must have subliminally gone, Shit, you’re that, you’re that, I want to be something different.”
It didn’t take much for Leslie to pursue the acting path. “It wasn’t like an epiphany that made somebody stand still and go, This is what I need to do,” she explains. “It just felt brilliant, it felt natural, and I wanted to carry on following this particular path of getting up in front of people and performing.” She enrolled in drama school, but even there it was always about performing. “Some of it was theory obviously and some of it was practical, and I just remember only loving the practicality of it, and not really wanting to theorize on a long essay the reasons as to why I wanted to, so then it felt rather innate.”
Drama school helped get her representation, and before long she was getting auditions and small roles. She won a Scottish BAFTA for a television film called New Town, but her most widespread breakthrough came on Downton Abbey, after their costume director happened to see her in a play. As the ambitious housemaid Gwen Dawson, Leslie was part of the main cast of the show during season one. “It was the first television role I had where I knew I was going to be employed for six months,” she recalls. “I was always in bit parts before, but now suddenly it was a six-month gig that was just incredible to me.” Her character ended up representing a major theme in the show, the rise of the working class, and she even made an appearance in the final season as a refined woman unrecognizable to the estate. But Leslie remembers it more for the fond memories it gave her in her early twenties: “I was living in London with girlfriends, and the idea of getting into a car to drive off into the countryside to shoot for a day and have that happen five days a week was awesome.”
The Good Fight > Screencaps: S01 E03 « The Schtup List » [+ 171]
DuJour Magazine has released a new interview of Rose as well as a gorgeous photoshoot, be sure to check it below !
Photoshoots > 2017 | DuJour Magazine [+8]
DUJOUR – In the opening scene of The Good Fight, the world of its acclaimed predecessor The Good Wife is transformed into a post-Trump world. The familiar face of Diane Lockhart (Christine Baranski), network television’s favorite liberal boss lady, fills the frame, and pans out to her flipping off her television before the 45th president is sworn in. She’s got better things to do than watch the inauguration. She must draw up her plans for the next chapter: namely, retirement in the South of France.
While Lockhart may be plotting her escape from America, Rose Leslie—who plays one of The Good Fight’s headlining new characters, Maia Rindell—just got here, and she has been thoroughly enjoying herself. The 30-year-old Scottish actress arrived in Brooklyn before the election to begin filming her first series on this side of the pond, and now, ahead of The Good Fight’s premiere, we’re meeting at a trendy little breakfast spot in Williamsburg. When I spot Leslie being escorted to my table, she’s chatting with the server like they’re old friends. “My mum and my sister are here, and I brought them here literally two days ago,” she explains. “Oh my god, I love it. It’s so good.”
As she eats an omelette and we compare Williamsburg to Camden Town, Leslie is all smiles. She seems ridiculously normal. Nothing about her public persona had led me to believe she wouldn’t be, but like the vast majority of fans, I’d first encountered Leslie in a completely alternate reality: north of the Wall on Game of Thrones. Seeing her as Maia Rindell on The Good Fight was almost more jolting than meeting her in person. As a newly-minted lawyer starting her first job, Maia’s fresh face and wardrobe of suits is quite a contrast with Ygritte’s fur hood and furrowed brow.
“Maia’s an intelligent girl,” Leslie says. “She’s not self-entitled despite being an only child of billionaires. And it was nice that she wasn’t covered in dirt or covered in fur.” She laughs.
Those billionaires she mentioned are good friends of Diane Lockhart, which is how Maia lands an associate position at Lockhart, Deckler, Gussman, Lee, Lyman, Gilbert, Lurie, Kagan, Tannenbaum and Associates (try saying that three times fast) one year after the series finale of The Good Wife, which ended in May. Like its predecessor, The Good Fight will feature episodic drama taking place in the courtroom as well as longer, scandalous plot lines inspired by real world events. Last time, Alicia Florrick (Julianna Margulies) was at the center of the storm as she dealt with her politician husband’s Eliot Spitzer-inspired indiscretions.
This time, it’s Maia who is unwillingly thrust into the spotlight when her father, Henry Rindell, is arrested for his alleged involvement in a Madoff-style Ponzi scheme. The kicker? Diane Lockhart is one of the victims, so her plan to fly off into the sunset now faces a nebulous hiatus. But by the end of episode one, it’s clear that Diane is one of few people not blaming Maia. They’re both on the outs at the old firm—Diane is getting heat from many of the clients she recommended to the Rindell’s investment fund—and they both manage to find positions at another firm, Reddick, Boseman, & Kolstad.
The new firm is a mostly African American one, which likely means the stage is set for the show to tackle more of the racial issues prevalent in the news—police brutality was already at the center of episode one’s case. And another issue The Good Fight will definitely be ripping from the headlines, Leslie divulges, is fake news. “We are just kind of like highlighting the fact that fake news is real, fake news is here, it is gaining momentum, and what world are we living in whereby truth is no longer relevant?” she says. “You realize that fake news is personally affecting [Maia] on social media, jeopardizing her career, and how phenomenally scary that is.”
I ask Leslie if the show’s focus on issues was part of the attraction for her. “When I watched The Good Wife,” she says, “I remember realizing as an audience member that it was thought-provoking and intriguing, and that it stimulated conversations in a brilliant way.” She says the show was hugely popular among her friends in London. “In an effortless way, it holds up that mirror to society.”
As Maia navigates her way through a scandal that hits close to home, and the rest of us navigate our way through today’s barrage of ever more scandalous news, Leslie says she’s looking forward to detaching from her character, and really getting away from it all. When shooting wraps, she’ll head back to London, where her next role will be planning an epic vacation. “I’ve never been to Asia so I’d like to travel there. And really travel—stay in hostels and do the exploring thing through the eyes of a backpacker. I’ve never done that before, which is why it’s my full-on intention to do it properly.” (source)
The Good Fight > Screencaps: S01 E01 « Inauguration » [+ 349]