Rose to present at The Olivier Awards
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Rose to present at The Olivier Awards

Exciting news ! It has been announced that Rose will be in attendance to this years’ Olivier Awards, this time as a presenter (she already went in 2016). Her friend and Good Fight co-star Cush Jumbo will also be there.

Whatsonstage – The final details, including the full line up of presenters, for this Sunday’s Olivier Awards ceremony have been released.

Presenters joining host Jason Manford this year include Ben Forster, Lin-Manuel Miranda, Mark Rylance, Andrew Garfield, Nathan Lane, John Boyega, Michaela Coel, David Baddiel, Alfie Boe, Leanne Cope, Julian Clary, Robert Fairchild, Phoebe Fox, Denise Gough, Matt Henry, Ruthie Henshall, Amanda Holden, Rufus Hound, Cush Jumbo, Rose Leslie, Maureen Lipman, Danny Mac, Audra McDonald, Laura Mvula, Paul O’Grady, Tracy-Ann Oberman, Sophie Okonedo, Charlotte Ritchie and Russell Tovey.

The presenters join the already announced line up of performances which include Gary Barlow and Tim Firth as well as the company of The Girls, Amber Riley, Tim Minchin and Matthew Bourne’s The Red Shoes. Audra McDonald will also perform as part of the In Memoriam section.

This year the ceremony takes place on 9 April at the Royal Albert Hall from 6pm, with red carpet arrivals from 4.30pm. The Olivier Awards will then be broadcast on ITV on Tuesday 11 April from 8pm to 10pm.

“I do miss the pub, and the weather being sh*t”: Rose Leslie takes on America
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“I do miss the pub, and the weather being sh*t”: Rose Leslie takes on America

STYLIST — Rose Leslie is distracted. Outside her window in Brooklyn a passer-by has fallen over on a patch of black ice and she can’t stop giggling. Storm Stella recently hit and New York has only just re-emerged from the state of emergency called by its mayor. It’s fine to laugh, she tells me, because the passer-by has got up and walked off, but she’s now positioned herself away from the window in case any more slapstick comedy strikes.

Although she’s a big fan of comedy, the Scottish-born actress made her name playing serious-minded characters who are British to the bone. She first came to attention in 2010 as Gwen, a housemaid who betters herself and waved goodbye to Downton Abbey before the end of the first series. Next, in that other globally successful television juggernaut Game Of Thrones, she nailed the Yorkshire accent playing the fiery wildling Ygritte, Jon Snow’s enemy-turned-lover. There has also been a brief spell as a policewoman alongside Idris Elba in Luther.

Right now, Leslie is feeling a bit nostalgic for ol’ Blighty, which may explain why she’s binge-watching The Replacement and This Country on BBC iPlayer. “I am obsessed with This Country,” she confesses. “The script is so astute about who they are representing – it manages to find the delicate balance of being truthful without belittling.” It’s been five months since the 30-year-old left her London flat for America to play a role that is completely different to her previous work: a high-flying lawyer in modern day Chicago.

In The Good Fight – a new 10-episode spin-off from the eminently watchable The Good Wife, which finished last year after seven series – senior partner of the parent show’s law firm Diane Lockhart (Christine Baranski) loses her life savings in a financial scam. But, in the tenacious female fashion of the original show, she sets up shop afresh with her goddaughter Maia Rindell (played by Leslie) and Lucca Quinn (played by fellow Brit Cush Jumbo) in another distinguished Chicago legal firm. Already critically acclaimed in the US, The Good Fight does not shy away from contemporary politics, covering topics such as fake news and police brutality.

Leslie admits that the opportunity to live in New York for five months while filming the show was a perk she couldn’t refuse, but Brooklyn is a long way from her family’s 15th-century castle in Aberdeenshire where she grew up with her four siblings (a stint in a Somerset boarding school put paid to her Scottish burr) before arriving in London aged 18 to study at the London Academy of Music and Dramatic Art (LAMDA). Her background may be lofty but in conversation Leslie is anything but. She is naturally warm, engaging, laughs often (and hard) and has impeccable manners. Until someone falls over on a patch of ice, that is…

With the success of Downton Abbey and Game Of Thrones, it seems like you have the golden touch when it comes to choosing TV shows to work on. What attracted you to The Good Fight?
I was late to the party with The Good Wife but so many of my friends loved it. When I finally gave it a go, I thought the writing was fantastic and I was pulled in by the fact that [writers] Michelle and Robert King wrote so powerfully and beautifully for women. The characters are intelligent, passionate women who are struggling with climbing the prickly ladder to the top of the legal profession. It’s not an easy path but the story lines aren’t obvious. The script was completely engrossing.

Continue reading “I do miss the pub, and the weather being sh*t”: Rose Leslie takes on America

‘Thrones’ alum Rose Leslie still ‘emotional’ about dying in Jon Snow’s arms
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‘Thrones’ alum Rose Leslie still ‘emotional’ about dying in Jon Snow’s arms

NEW YORK POST – As the lady’s maid Gwen on “Downton Abbey,” Rose Leslie captured the spirit of an independent-minded woman, circa 1912, who saved up enough money to buy a typewriter and taught herself to type. So long, place settings and candlesticks. Hello modern world.

In 2017, Leslie fully entered the modern world in terms of her TV roles. Following her smashing success as the doomed Ygritte on HBO’s “Game of Thrones,” the Scottish actress was cast as rookie lawyer Maia Rindell on the CBS All Access series “The Good Fight,” a 10-episode, post-Julianna Margulies extension of the long-running series “The Good Wife” — already renewed for a second season.

To film the series, Leslie moved from London to Williamsburg, Brooklyn, and just like “Downton” and “Thrones,” immersed herself in a foreign world, this one marked by legalese and power suits. She didn’t have to take a crash course in the American court system. “So far, I haven’t really come across a word I haven’t been able to pronounce,” says Leslie, 30.

Maia gets a job working at a primarily African-American law firm under the tutelage of her parents’ friend, Diane Lockhart (Christine Baranski). On camera, it’s a complicated relationship. Shortly after taking Maia under her wing, Diane learns she has lost her life savings in a Ponzi scheme apparently engineered by Maia’s father (Paul Guilfoyle). Off camera, Leslie has joined the Baranski fan club. “She is the most gracious woman I’ve come across,” she says, suddenly aware of what a kiss-up she sounds like. “That’s not just me, brown-nosing.

While Baranski receives star billing, of course, Leslie has benefitted from one of the show’s best subplots: the young idealist realizing her family may be completely corrupt.

Through the arc of the 10 episodes, it’s interesting to see the eroding relationship with Maia’s father,” she says. “The momentum is really gathering speed around the Ponzi scheme and it’s crashing down around her.

The series has tackled some contemporary issues such as fake news, and plays more like a cable series with features you’d never hear or see on an ordinary CBS series (including nudity and four-letter words). Maia rarely curses, but Leslie did film some nude scenes with Helene Yorke, who plays Amy, Maia’s lawyer girlfriend. “It’s a fantastic way to see the relationship between Maia and Amy,” Leslie says. “You can observe them as two loving people. It expresses how strong they are as a unit.

With production completed, Leslie has returned to England, and to her boyfriend of four years, Kit Harington, whom she famously met on the set of “Game of Thrones” (he played Jon Snow). She seems to know she has landed the most popular (and coveted) hunk in the medium, but all she’ll say about him is “My boyfriend is a phenomenal man.

Their romance on “GoT” offered a welcome break from the series’ trademark carnage. Fans fell in love with the pair, putting together YouTube montages of their story, like any popular soap opera couple. Ygritte’s death scene, with her memorable last line, “You know nothing, Jon Snow,” was truly moving. Which raises the question: If every woman wants to die in Jon Snow’s arms, what was it actually like to do so?

This is me going back,” Leslie says. “It was very emotional. The love that she felt for Snow overrode any frustration she felt. It was very painful. Ygritte was happy to be dying in the arms of the man she loved. It was a very lovely storyline to be a part of.” (source)

The Good Fight Renewed for Season 2 !
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The Good Fight Renewed for Season 2 !

CBS — The CBS All Access original series The Good Fight has officially been renewed for a second season, to air in early 2018.

“We’re only a few episodes into the first season and the reaction from CBS All Access subscribers and critics alike has been phenomenal,” said Marc DeBevoise, President and Chief Operating Officer, CBS Interactive. “This series and its characters are just beginning, and we can’t wait to see where Robert and Michelle King, their creative team, and the amazing cast take The Good Fight next.”

Currently in its first season, the spinoff to The Good Wife follows Diane Lockhart (Christine Baranski) as she and her protégée Maia Rindell (Rose Leslie) are caught in the crossfire of a financial crisis and forced out of Diane’s old firm. With nowhere else to go, they join Lucca Quinn (Cush Jumbo) and Adrian Boseman (Delroy Lindo) at Reddick, Boseman & Kolstad, where they must work their way back up to the top. (source)

Toronto Sun Interview : “Ex-‘Game of Thrones’ star Rose Leslie suits up for ‘The Good Fight’”
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Toronto Sun Interview : “Ex-‘Game of Thrones’ star Rose Leslie suits up for ‘The Good Fight’”

TORONTO SUN   Rose Leslie was a mere wildling when she first became a fan of the American network drama The Good Wife – which recently spun off a sequel The Good Fight. The Scottish actress had begun working on her three seasons on Game of Thrones, playing Ygritte, the fire-haired wildling with a “thing” for Jon Snow. “Channel 4 in the U.K. carried The Good Wife. And I kind of picked it up with my friends in Season 4, and we watched it to the end,” says the actress, who co-stars with Christine Baranski in The Good Fight. “It was a complete escape for me,” she said in a phone interview on a break from filming in New York. “I was a fan, but I was completely oblivious that there was going to be a spinoff. So I was very ecstatic when I heard.

One of those apparently magical U.K. actors, capable of adopting a convincing American accent at will, Leslie was cast as Maia Rindell, the daughter of a disgraced Bernie Madoff-type billionaire scam artist, whose budding law career is derailed by his downfall. Among his victims: Maia’s godmother Diane Lockhart (Baranski), the Chicago law firm partner from The Good Wife, whose retirement plans are similarly scuttled by her losses (and whose reputation is in tatters because she’d convinced so many friends to invest with Rindell).

So the world we knew from The Good Wife is upside down. The first episode opens with Diane turning off the inauguration of President Trump and pouring herself a giant glass of wine. And in a news report, we hear Maia’s father described as a, “financier for the liberal elite.” For starters, that was some pretty impressive reaction to actual events. Leslie read the original pilot script, “and it started with Diane Lockhart kind of looking around at a French villa she was living in. After the president’s win they did some quick surgery. I got a few chuckles when I saw it.

As for the “liberal elite” line, “I guess that’s what he was,” she says of her TV dad (played by Paul Guilfoyle). I think (the producers) want to make sure their show is very relevant to the political climate. And we are dealing with a liberal bubble when we are talking about (Adrian) Boseman (Delroy Lindo), and the African-American law-firm that my character and Diane go to.” (At the end of the pilot, Maia and Diane are jokingly referred to as “diversity hires”). “They’re kind of signalling that there isn’t going to be just one line of political opinion in the series.

There are other ways in which The Good Fight exists in a different world than The Good Wife. Maia is in a same-sex relationship with an assistant state attorney named Amy Breslin (Helene York). Candid scenes of them at home during the turmoil, include a scene of Amy consoling Maia in the shower. “I love that it’s so candid,” Leslie says. “I love the shower scene between two women; you can see how loving they are to each other, how comfortable they are in their own skin and their own sexuality. And I like the fact that the show doesn’t make a thing out of it. It is just a simple fact that these two women are in a relationship, they support one another.

Despite being raised in a castle (her family’s 15th century ancestral seat in Aberdeenshire), Leslie needed some research in being truly “to the manor born.” She found it in the book The End of Normal: My Life as a Madoff, by Madoff’s widow Stephanie Madoff Mack. “That book was indeed a very small insight into understanding the harsh reality of a terrifying fall such as the one she and her family went through,” Leslie says. “The reality of my life is that was I was brought up in a very drafty house with holes in the roof,” she adds cheerfully. “So there’s nothing really very fairytale-esque about my upbringing. But I feel very fortunate.” (source)

‘The Last Magazine’ Interview & Photoshoot
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‘The Last Magazine’ Interview & Photoshoot

Rose has been recently interviewed for ‘The Last Magazine’ and some new gorgeous pictures of her have been taken, be sure to check them all in the gallery and read the interview below :

Gallery Links
Photoshoots > 2017 | The Last Magazine [+ 8]

THE LAST MAGAZINE In the new CBS All Access show The Good Fight, viewers are introduced to Maia Rindell, a young woman who has just passed the bar exam and lands a job at a prestigious law firm. It’s new, exciting, and a little daunting for Maia, and that’s before her life is swiftly upended by a family scandal. Stepping into the role is Rose Leslie, who herself is exploring uncharted territory, albeit without the chaos Maia endures. Residing in America for the first time while taking on a lead role in a celebrated franchise has given her something to channel into the character, but it’s also given her the momentum to break out as a new star.

Though Leslie is originally from Scotland, she spent enough of her life away to replace her accent with an English one. “I lived in France for about three years from ten to thirteen, so I kind of lost any Scottish accent when I was living there—I had some weird hybrid of a French-English accent,” she says. “Then I went back to Southern England and it was over, I went into the English accent.

Raised with four siblings, Leslie’s proclivity towards acting may have simply been an effect of being the middle child. “There’s no other member of my family who is in the creative industry, so to speak,” she says. “I’m in the middle, the only ginger, older brother and sister and younger brother and sister. I think I got the bug from not being listened to. I think the middle child syndrome stepped in relatively early and I think I realized I needed to branch out. My [older] brother is intelligent and my sister is very sporty and intelligent, and I must have subliminally gone, Shit, you’re that, you’re that, I want to be something different.

It didn’t take much for Leslie to pursue the acting path. “It wasn’t like an epiphany that made somebody stand still and go, This is what I need to do,” she explains. “It just felt brilliant, it felt natural, and I wanted to carry on following this particular path of getting up in front of people and performing.” She enrolled in drama school, but even there it was always about performing. “Some of it was theory obviously and some of it was practical, and I just remember only loving the practicality of it, and not really wanting to theorize on a long essay the reasons as to why I wanted to, so then it felt rather innate.”

Drama school helped get her representation, and before long she was getting auditions and small roles. She won a Scottish BAFTA for a television film called New Town, but her most widespread breakthrough came on Downton Abbey, after their costume director happened to see her in a play. As the ambitious housemaid Gwen Dawson, Leslie was part of the main cast of the show during season one. “It was the first television role I had where I knew I was going to be employed for six months,” she recalls. “I was always in bit parts before, but now suddenly it was a six-month gig that was just incredible to me.” Her character ended up representing a major theme in the show, the rise of the working class, and she even made an appearance in the final season as a refined woman unrecognizable to the estate. But Leslie remembers it more for the fond memories it gave her in her early twenties: “I was living in London with girlfriends, and the idea of getting into a car to drive off into the countryside to shoot for a day and have that happen five days a week was awesome.

Continue reading ‘The Last Magazine’ Interview & Photoshoot

Town & Country Magazine Interview
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Town & Country Magazine Interview

TOWN & COUNTRY — If television is to be believed, Chicago’s law firms are some of the most dramatic places on the planet. Take, for example, the burgeoning legal career of Maia Rindell, played here by Game of Thrones alum Rose Leslie. She’s barely begun her post as a newbie at Lockhart, Decker, Gussman, Lee, Lyman, Gilbert-Lurie, Kagan, Tannebaum & Associates when her life explodes—something about a billionaire father turning out to be a fraud can do that—and a chain of events is set in motion that will drive the first season of The Good Fight, the new series airing now on CBS All Access.

If the name of the series alone didn’t tip you off, the show is a sequel of sorts to The Good Wife, which ended its celebrated run last year. Fight was also created by Robert and Michelle King, and follows some of Wife’s characters (namely the brilliant Christine Baranski as Diane Lockhart and Cush Jumbo as Lucca Quinn) as they continue to navigate the Windy City’s turbulent legal scene. It’s Scottish-born Leslie, however, who’s at the heart of the show, and here the actress chats with T&C about what made it a part she couldn’t turn down.

In the very first episode of this series, Maia’s life is almost completely turned around. She’s gone from anonymous legal associate to being attacked in elevators by strangers her father might have bilked out of their savings. I can’t imagine it’s every day you find a part this complex.
The fact that Maya is almost unjustly targeted was a hook for me. We watch this young woman fight–in her personal and professional life—and I love that she’s someone whose career is about to take off when the rug is pulled out from under her. I wanted to explore someone so resilient, who people can root for through such an awful event.

You’ve previously been on series like Downton Abbey and Game of Thrones. What made you go looking for something like The Good Fight?
I feel incredibly privileged to give you this response: I was offered the part. The Kings got in touch and asked me to read the pilot. So, I did that and the how was written so brilliantly that I immediately responded to the character.

The series is fictional, but some of the events do have that pulled-from-the-headlines feeling. Did you take any inspiration from real-life situations of the same ilk?
Before I started, I read Stephanie Madoff Mack’s memoir, The End of Normal. Reading that book was heartrending, as a human being learning about the way someone else’s life has been flipped upside down. That was something that allowed me to almost get an understanding of just how appalling it must have been to be in her situation. You can really only imagine; it’s catastrophic.

Again, this all happens in the first episode! What does the rest of the first season hold for Maia?
What’s within Maia is an innate desire to prove her worth, to show to everyone that she can handle everything that’s thrown her way. But there’s also the realization that her father might not be as innocent as she wants to believe. You really see her mindset develop.

The series certainly stands on its own, but there are winks to anyone who watched The Good Wife. How did you feel about joining that world, which already has such a history?
I did watch The Good Wife, and when I started having conversations about this series, I knew it would be similar—there’s still “good” in the title—but I chose it for the writing and because of the talent that’s attached. Christine Baranski and Cush Jumbo are so fantastic! So, being able to carry on some of that story was something I was thrilled to be a part of.

The show takes place in Chicago, but you’ve been filming in New York. How’s that been for a Londoner?
We’ve been in New York since October and have about a month left. It’s been treating me incredibly well! I’m living in Brooklyn and have such an affinity for this city. I’ve never been in New York for longer than a week at any one time, so the idea of coming for a five-month stint was such a pull, and it’s been everything I hoped it would be.

So, you get to go home in a month! How will you spend the time off?
I’m thinking of parking myself in my favorite pub and holding court. I’ll tell people I’ll be there for about six days and they can all stop by. (source)

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“What’s In My Bag” for US Weekly

Rose emptied her bag for US Weekly (27/02/2017 issue) to show some of the things she carries with her (among them, tangerines and a silver penguin key chain her boyfriend bought her), click on the picture below to read the HQ version in the gallery :

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Magazines Scans > February 2017 | US Weekly [+ 1]

The Ruling on Rose Leslie
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The Ruling on Rose Leslie

DuJour Magazine has released a new interview of Rose as well as a gorgeous photoshoot, be sure to check it below !

Gallery Links
Photoshoots > 2017 | DuJour Magazine [+8]

DUJOUR – In the opening scene of The Good Fight, the world of its acclaimed predecessor The Good Wife is transformed into a post-Trump world. The familiar face of Diane Lockhart (Christine Baranski), network television’s favorite liberal boss lady, fills the frame, and pans out to her flipping off her television before the 45th president is sworn in. She’s got better things to do than watch the inauguration. She must draw up her plans for the next chapter: namely, retirement in the South of France.

While Lockhart may be plotting her escape from America, Rose Leslie—who plays one of The Good Fight’s headlining new characters, Maia Rindell—just got here, and she has been thoroughly enjoying herself. The 30-year-old Scottish actress arrived in Brooklyn before the election to begin filming her first series on this side of the pond, and now, ahead of The Good Fight’s premiere, we’re meeting at a trendy little breakfast spot in Williamsburg. When I spot Leslie being escorted to my table, she’s chatting with the server like they’re old friends. “My mum and my sister are here, and I brought them here literally two days ago,” she explains. “Oh my god, I love it. It’s so good.

As she eats an omelette and we compare Williamsburg to Camden Town, Leslie is all smiles. She seems ridiculously normal. Nothing about her public persona had led me to believe she wouldn’t be, but like the vast majority of fans, I’d first encountered Leslie in a completely alternate reality: north of the Wall on Game of Thrones. Seeing her as Maia Rindell on The Good Fight was almost more jolting than meeting her in person. As a newly-minted lawyer starting her first job, Maia’s fresh face and wardrobe of suits is quite a contrast with Ygritte’s fur hood and furrowed brow.

Maia’s an intelligent girl,” Leslie says. “She’s not self-entitled despite being an only child of billionaires. And it was nice that she wasn’t covered in dirt or covered in fur.” She laughs.

Those billionaires she mentioned are good friends of Diane Lockhart, which is how Maia lands an associate position at Lockhart, Deckler, Gussman, Lee, Lyman, Gilbert, Lurie, Kagan, Tannenbaum and Associates (try saying that three times fast) one year after the series finale of The Good Wife, which ended in May. Like its predecessor, The Good Fight will feature episodic drama taking place in the courtroom as well as longer, scandalous plot lines inspired by real world events. Last time, Alicia Florrick (Julianna Margulies) was at the center of the storm as she dealt with her politician husband’s Eliot Spitzer-inspired indiscretions.

This time, it’s Maia who is unwillingly thrust into the spotlight when her father, Henry Rindell, is arrested for his alleged involvement in a Madoff-style Ponzi scheme. The kicker? Diane Lockhart is one of the victims, so her plan to fly off into the sunset now faces a nebulous hiatus. But by the end of episode one, it’s clear that Diane is one of few people not blaming Maia. They’re both on the outs at the old firm—Diane is getting heat from many of the clients she recommended to the Rindell’s investment fund—and they both manage to find positions at another firm, Reddick, Boseman, & Kolstad.

The new firm is a mostly African American one, which likely means the stage is set for the show to tackle more of the racial issues prevalent in the news—police brutality was already at the center of episode one’s case. And another issue The Good Fight will definitely be ripping from the headlines, Leslie divulges, is fake news. “We are just kind of like highlighting the fact that fake news is real, fake news is here, it is gaining momentum, and what world are we living in whereby truth is no longer relevant?” she says. “You realize that fake news is personally affecting [Maia] on social media, jeopardizing her career, and how phenomenally scary that is.

I ask Leslie if the show’s focus on issues was part of the attraction for her. “When I watched The Good Wife,” she says, “I remember realizing as an audience member that it was thought-provoking and intriguing, and that it stimulated conversations in a brilliant way.” She says the show was hugely popular among her friends in London. “In an effortless way, it holds up that mirror to society.

As Maia navigates her way through a scandal that hits close to home, and the rest of us navigate our way through today’s barrage of ever more scandalous news, Leslie says she’s looking forward to detaching from her character, and really getting away from it all. When shooting wraps, she’ll head back to London, where her next role will be planning an epic vacation. “I’ve never been to Asia so I’d like to travel there. And really travel—stay in hostels and do the exploring thing through the eyes of a backpacker. I’ve never done that before, which is why it’s my full-on intention to do it properly.” (source)